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Showing posts with label Animals Photos. Show all posts
Showing posts with label Animals Photos. Show all posts

The Global Animation Industry Market Market Research Report


There is perhaps no genre of film or television more global than animation. Success for a film or TV series in one country can translate—often very quickly— into a global hit. And success in these primary markets can feed through into DVD and generate a business from the sale of licenses to toy companies, publishers, and many other manufacturers.

Animation is also a genre which spans the whole range of media creation, from the US-based studio conglomerates led by the Walt Disney Company though to individual artists equipped with little more than a PC and some software. The gap is widening between the studios—which plough huge budgets into their animated movies and feed a growing network of branded networks in the US and around the world with new TV series—and independent producers, who are encountering increasing difficulties in raising funding.

Changes in the television market—which the current worldwide recession has further exacerbated—have destabilised the traditional source of commissions for most independents, who do not have the guaranteed pipeline to market offered by the studios' distribution operations and networks.

Many countries—in particular France and Canada—are reaping the benefits of an ecosystem of financial support programmes, tax breaks and broadcast quotas that serves to bolster their animation sectors. Even these industries are not immune to a weak international market, relying on coproduction, presales and licence fee revenue for a significant part of their funding.

The physical production of animation TV and film is a time-consuming and labour-intensive process involving the creation of thousands of images, backgrounds and objects.

Because of the amount of time involved, much of this work is subcontracted to companies in lower wage countries which are able to provide the sheer manpower involved to deliver a project to a tight deadline.

Companies that remain committed to the animation industry are pursuing one of two major business models (or in many cases both): earning a living from fees—the traditional position of most animation producers—or retaining rights in the intellectual property they create and generating royalties and revenue from its exploitation. Many of the largest intellectual property companies now subcontract the physical production of animation to third parties, operating as what could be termed financing producers.

For more information, please contact :
http://www.aarkstore.com/reports/The-Global-Animation-Industry-33048.html


Aarkstore Enterprise specialize in providing online market business information on market research reports, books, magazines, conference booking at competitive prices, and strive to provide excellent and innovative service to our customers. We are built on the premise that reading is valuable, capable of stirring emotions and firing the imagination. Whether youre looking for new product trends or competitive analysis of a new or existing market, Aarkstore Enterprise has the best resource offerings and the expertise to make sure you get the right product every time.








Take a guided tour through Cedars-Sinai Medical Center's animal research facility, with veterinarian John D. Young. AMP invited Dr. Young to tell us more abo...
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Zoologico - RJ - ene - 2009

A few nice photo of animals images I found:


Zoologico - RJ - ene - 2009
photo of animals
Image by ·S
Zoologico - RJ - ene - 2009


Zoologico - RJ - ene - 2009
photo of animals
Image by ·S
Sleeping tiger ¬¬.....

traduccion > Tigre raja ¬¬ gracias por posar ¬¬


Zoologico - RJ - ene - 2009
photo of animals
Image by ·S
Zoologico - RJ - ene - 2009

Cool Photo Of Animals images

A few nice photo of animals images I found:


Death...
photo of animals
Image by _Guilherme Grespan
Foto por Guilherme Grespan

Observações:
Todas as fotos aqui postadas estão livres para divulgação, desde que com minha assinatura na foto e com os devidos créditos, como segue abaixo:

Foto por Guilherme Grespan - www.flickr.com/photos/guilhermegrespan/

As fotos estão com tamanho reduzido para web, tenho todas em alta resolução, e sem a assinatura, caso alguem precise é só me enviar um email.

Qualquer utilização das fotos em meios comerciais, favor me contactar.

Contato:
email: gui_grespan@yahoo.com.br

Ao Publicar:
Caso você publique esta foto em algum local, favor me informar por email, para que eu possa manter o histórico.

Muito Obrigado.

______________________________________________________________________

Photo by Guilherme Grespan

Notes:
All photos posted here are free to disclosure, provided that with my signature on the photo and with the appropriate credits, as follows below:

Photo by Guilherme Grespan - www.flickr.com/photos/guilhermegrespan/

The photos are reduced in size for web, have all at high resolution, and without the signature, if someone needs just send me an email.

Any use of photos for media business, please contact me.

Contact:
email: gui_grespan@yahoo.com.br

By Post:
If you publish this picture in any place, please let me know by email, so I can keep the history.

Thank you very much.


Horses Greeting. James Brennan Molokai Hawaii
photo of animals
Image by James Brennan Molokai Hawaii
When two horses meet, they “greet” one another. First, they stretch out their heads and sniff each other’s noses, then they smell other parts of the body. The greeting helps the horses to get acquainted and to recognize one another by their scents. James Brennan Molokai

Venturing Into Medical Animation


3D animation is a special gift for the audio-visual media because it is able to widen the perspective of not only of the creators but also of the viewers. By the addition of a new dimension, 3D Modal animation is able to render graphics and sequences as though they are in real-life. Now this makes for a very entertaining time in theater houses for movies as this brings moviegoers close to the characters. But in medical animation, this ability of 3D animation takes on a more serious tone.

Medical animation rendered in 3D allows doctors to see parts of the human anatomy which they can only imagine, read in books or see when done in an actual operation on a human flesh. However, there are no second takes in key parts of medicine such as surgery or even forensic analysis. The stakes are higher because human life depends on their actual depiction using 3D animation.

Using 3D animation, doctors can study why a certain part of the body is malfunctioning by trying to deduce the source of the ailment. It can also serve as a guide for very delicate surgery. Here are the different applications of medical animation:

- Interactive models of the human body on both macroscopic and microscopic, interior and exterior scales;

- Interpretation of patient data into 3D Modal visual images;

- Demonstration of how pharmaceutical drugs work in the bloodstream and body;

- Creation of instructional materials for medical students;

- Demonstration of surgical techniques in virtual representation;

- Breakdowns of how medical equipment/proposed medical equipment will work.

The versatility of 3D animation in medical animation has significantly aided in uplifting the quality of medical animation. Doctors no longer have to rely on little illustrations of the human body in textbooks. This also paves the way for an error-free experience for those who have to enter into surgery.

Medical animation has also been used as a show reel for those in the medicine industry specifically the ones into pharmaceuticals and medical equipments. Because it can be quite stressful to test the medicines and equipments in an investor meeting, medical animation can do the pitching while still giving a credible and an organized aura for the company.

However, with all these perks of medical animation, it does not come easy for the animator. It takes intensive research and further study in order to precisely replicate human anatomy. If you've seen those huge medical books, then you would have an idea of how cumbersome it can be to learn all the intricacies of the human body. Besides, there is the pressure that doctors will be using these as guides, either for surgery or research, thus the results have to be very, very realistic.

Medical animation, on the other hand, can be a very lucrative job for those who have thoroughly earned a good reputation for this expertise. Because of its difficulty and the limited nature of medical animators, this can be a very rewarding job position - but only if you approach it with intense passion and dedication.

Hi, I am Hina Khan, I am a student of 3D Max and CG (Computer Graphics), for more information about my work please visit at : 3dleaks.com

Cool Animal Research images

Check out these animal research images:


Marbled Wood Quail
animal research
Image by siwild

This Marbled Wood Quail, Odontophorus gujanensis, was photographed in Peru, as part of a research project utilizing motion-activated camera-traps.

You are invited to go WILD on Smithsonian's interactive website, Smithsonian WILD, to learn more about the research and browse photos like this from around the world.

siwild.si.edu/wild.cfm?fid=5493713644


Gray Fronted Dove
animal research
Image by siwild

This Gray Fronted Dove, Leptotila rufaxilla, was photographed in Peru, as part of a research project utilizing motion-activated camera-traps.

You are invited to go WILD on Smithsonian's interactive website, Smithsonian WILD, to learn more about the research and browse photos like this from around the world.

siwild.si.edu/wild.cfm?fid=5493780160


Saphire Quail Dove
animal research
Image by siwild

This Saphire Quail Dove, Geotrygon saphirina, was photographed in Peru, as part of a research project utilizing motion-activated camera-traps.

You are invited to go WILD on Smithsonian's interactive website, Smithsonian WILD, to learn more about the research and browse photos like this from around the world.

siwild.si.edu/wild.cfm?fid=5493729450

The Global Animation Industry


There is perhaps no genre of film or television more global than animation. Success for a film or TV series in one country can translate often very quickly into a global hit. And success in these primary markets can feed through into DVD and generate a business from the sale of licenses to toy companies, publishers, and many other manufacturers.

Animation is also a genre which spans the whole range of media creation, from the US-based studio conglomerates led by the Walt Disney Company though to individual artists equipped with little more than a PC and some software. The gap is widening between the studios which plough huge budgets into their animated movies and feed a growing network of branded networks in the US and around the world with new TV series and independent producers, who are encountering increasing difficulties in raising funding.

Changes in the television market which the current worldwide recession has further exacerbated have destabilised the traditional source of commissions for most independents, who do not have the guaranteed pipeline to market offered by the studios' distribution operations and networks.

Many countries in particular France and Canada are reaping the benefits of an ecosystem of financial support programmes, tax breaks and broadcast quotas that serves to bolster their animation sectors. Even these industries are not immune to a weak international market, relying on coproduction, presales and licence fee revenue for a significant part of their funding.

The physical production of animation TV and film is a time-consuming and labour-intensive process involving the creation of thousands of images, backgrounds and objects. Because of the amount of time involved, much of this work is subcontracted to companies in lower wage countries which are able to provide the sheer manpower involved to deliver a project to a tight deadline.

Companies that remain committed to the animation industry are pursuing one of two major business models (or in many cases both): earning a living from fees the traditional position of most animation producers or retaining rights in the intellectual property they create and generating royalties and revenue from its exploitation. Many of the largest intellectual property companies now subcontract the physical production of animation to third parties, operating as what could be termed financing producers.

For more information, please contact :
http://www.aarkstore.com/reports/The-Global-Animation-Industry-33048.html

Jessica
Aarkstore Enterprise
Mobile : +918149852585


Aarkstore Enterprise specialize in providing online market business information on market research reports, books, magazines, conference booking at competitive prices, and strive to provide excellent and innovative service to our customers. We are built on the premise that reading is valuable, capable of stirring emotions and firing the imagination. Whether you're looking for new product trends or competitive analysis of a new or existing market, Aarkstore Enterprise has the best resource.

Nice Animal Research photos

Check out these animal research images:


Two tarantulas
animal research
Image by The Field Museum Library
Two tarantulas (spiders, insects). 1928.

Name of Expedition: Crane Pacific Expedition
Participants: Sidney Nichols Shurcliff, Karl P. Schmidt, Cornelius Crane, William L. Moss, Albert W. Herre
Expedition Start Date: c. 11/28/1928
Expedition End Date: c. 8/12/1929
Purpose or Aims: Zoology (Birds, mammals, fish, reptiles, invertebrates)
Location: Central America, Panama, Barro Colorado Island

Original material: Hand-colored Lantern Slide
Digital Identifier: A105150_crane12_2c

Learn more about The Field Museum's Library Photo Archives.


Saphire Quail Dove
animal research
Image by siwild

This Saphire Quail Dove, Geotrygon saphirina, was photographed in Peru, as part of a research project utilizing motion-activated camera-traps.

You are invited to go WILD on Smithsonian's interactive website, Smithsonian WILD, to learn more about the research and browse photos like this from around the world.

siwild.si.edu/wild.cfm?fid=5493220731


Striated Ant Thrush
animal research
Image by siwild

This Striated Ant Thrush, Chamaeza nobilis, was photographed in Peru, as part of a research project utilizing motion-activated camera-traps.

You are invited to go WILD on Smithsonian's interactive website, Smithsonian WILD, to learn more about the research and browse photos like this from around the world.

siwild.si.edu/wild.cfm?fid=5493740210

Aarkstore Enterprise || Rfid For Animals, Food And Farming 2008-2018 || Market Research Report

RFID for Animals, Food and Farming 2008-2018

This report concerns RFID in the food supply chain, from arable farming and livestock to presentation in the retail store. We also cover benefits if the RFID tag stays on the food to the private home. Because the tagging of pets and use of RFID on other animals and in conservation are closely allied topics, these are analyzed too.

Of the many uses for RFID, the food supply chain is set to rise dramatically to $ 4.97 billion spent on the systems plus the tags in 2018, becoming more important than any other application of RFID. In due course, the tagging of individual items will attract the most investment, benefiting all in the supply chain but tagging of conveyances, pallets, cases, vehicles and equipment will also be important.

There are many reasons for the growth of both of these markets, because RFID is increasingly used to track, monitor condition, prevent errors and theft, and even locate from a distance. This increases sales, improves customer satisfaction and reduces costs. As if this were not enough, there is increasing legislation driving the use of RFID for safety, notably with livestock and pets, for the rapid and optimal response to disease outbreaks, proof of vaccination, registration and so on.

This report analyses this topic in depth for the first time. 45 case studies from across the world bring the subject alive and suppliers, technology and other aspects are also covered in detail. This 257 page report has over 70 illustrations and tables projecting tag numbers, prices and value and also system value by sector over the next ten years and much else besides.

In particular, we assess the opportunity for RFID in :

Livestock
Food (including pallets and cases)
Pets
Research and conservation
Farming

For more information, please contact :

Livestock
Food (including pallets and cases)
Pets
Research and conservation
Farming

For more information, please contact :

http://www.aarkstore.com/reports/RFID-for-Animals-Food-and-Farming-2008-2018-12594.html







RFID, Animals, Food, Farming, aarkstore, market report,market analysis,industry analysis,research,marketing report,marketing research,marketing analysis,market size, competitor intelligence,industry experts,Livestock Food (including pallets and cases) P

Animation Colleges


What defines a good animation college? Everyone has their own ideas when it comes to choosing a college, and defining what makes a good animation college is no easy job. Because of the personal nature of selecting a college, the one which best matches a prospective student’s each individual preference would be considered the best animation college for that student.


There are several key considerations that come into play when deciding on the best animation college. First and foremost, the quality of the animation program and the academic courses offered, not to mention the faculty who will be teaching animation, are very important. Related programs that complement animation, such as graphic design or video game design, should also be considered. We highly recommend considering the financial costs of the program and whether the student was offered any scholarships, grants, or possibly other forms of financing as well. One solid method of gaining insight to the quality of the program is to research the animation college’s alumni: are there many successful animators among them?


Non-academic factors also play a big role in determining good animation colleges. Good animation colleges typically also offer internships or job placements at animation studios, which would provide valuable on-the-job experience, and this should also be looked into by any prospective student. The animation college’s facilities and services that are provided to students for their use should also definitely factor into a prospective student’s decision between good animation colleges.


What other aspects are important to consider in a good animation college? Any prospective student should carefully consider the setting and location of the animation college. After all, the student will be spending a couple years living there. Is the college in a quieter rural area or a busier urban city? How easy is it to travel around using public transportation? What sorts of off-campus activities do students typically partake in? For example, a student who enjoys playing sports may wish to attend an animation college that offers strong college athletics programs.


Finally, the decision is up to the student, so choose carefully!

What is Animal Satellite Tracking?



So what is Animal Satellite Tracking?


Welcome to my series on Animal Satellite Tracking. In the coming weeks, I hope to give provide you with a thorough review on what is now becoming the fastest and most popular technique used for researching animal ecology, and the best tool for science-based conservation.


What are the advantages?


Satellite tracking has the ability to track animals below the ocean's surface, across country borders and over vast distances in real time. It has provided conservation groups, scientists and policy makers with techniques to monitor species behaviour and survival, tools that were in previous decades only available to a select few. This information is critical for understanding the role of animals within the wide systems they operate and how they are likely to respond to variations in these systems due to climate change.


Some advantages of satellite tracking include –


Global coverage - animals can be followed across local, national and international borders
Newer tags allow a highly detailed analysis of spatial movements (which were previously impossible to observe)
Researchers do not have to spend a great deal of time in the field (such as in the cold of Antarctica!)
Animals need to be handled only once (traditional tags require recapture)
The tagged animal can be tracked from a computer anywhere in the world

The technology is most relevant in the marine environment, where it is nearly impossible to directly observe animals over extended periods. This is due to the three dimensional nature of movements within the ocean and the fact we cannot directly observe animals deep below the surface.


A few examples of how scientists use tracking information include:


Observing the movement patterns and speeds of migrating birds, fish or whales
Learning how deep seals dive when searching for food
Discovering where marine turtles feed between egg laying years
Discovering where a shark species aggregate for mating

This information is important for determining how best to manage the animals and the crucial habitat they require for survival.  Whether determining breeding, feeding or mating grounds, satellite tags have opened our eyes to the unique behaviours of animals we have only ever rarely seen.


The Technical Bit


Modern satellite tracking involves an electronic tag or platform transmitter terminal (PTT) that relays information to polar-orbiting satellites operated by the National Ocean and Atmospheric Administration (NOAA) and the European Organisation for the Exploitation of Meterological Satellites (Eumetsat)1. On the satellites, Argos sensors pick up the signal before being re-transmitted to processing centres back on Earth and then to the scientist. This is the traditional system used due to its in-built location determination system and global coverage. The signals sent to the satellites are recorded in two ways; either the Argos satellites determine the location of the transmitting tag or a GPS unit on the tag uploads an accurate set of coordinates to the satellites. How the signal is actually transmitted is where the technology starts to get a little technical for this article but if you are interested you can see it in more detail on the ARGOS website.


The PTTs themselves are micro-processor controlled archival and transmitting tags, developed to record parameters from both the animal being tracked and the environment it inhabits. Information relayed to satellites can contain information on latitude and longitude (location on the earth), location accuracy, depth/altitude (including highest and lowest), time wet/dry, light levels and temperature. GPS tags can now also determine speed, altitude and record data at a much higher accuracy.  All of this information can then be used to piece together the day to day life of the animal being tracked.  Satellite tracking is now recognized as an essential research tool for understanding the broad and often hidden movement patterns of marine and terrestrial animals.


There are many types of satellite tags available to the researcher, each with their own advantages and disadvantages.  The major tag categories are:


Transmitting (ARGOS) tags


For the past 30 years, Smart Position or Temperature Transmitting Tags (SPOT5, TAM, CTD, SRDL) have been the most popular tag type and are widely used by researchers, generally because you don't have to recapture your animal. Data on the animal's environment, location and behaviour is sent in real time and recorded by the ARGOS satellites before the tag's location is finally calculated via the ‘Doppler Effect' at ground stations. The more satellites the tag transmits information to, the higher the accuracy of the signal. In the marine environment, this technology is now considered inferior to a GPS based system due to its inaccuracy of over 1000 metres. This inaccuracy is because the animal needs to surface for a strong signal to be transmitted. However, SPOT5 tags still remain the cheapest and smallest option for near real time data collection and can be used on all species that are currently tracked by satellite.


Archival Tags and Pop-up tags


Archival (SPLASH) and Pop-up Archival Tags (PAT or PSAT) have been proven over the last 10 years to be the most effective way of tracking large scale movements of animals that don't regularly visit the ocean's surface. This is because the tags archive their data for later collection. They store information like pressure (depth), internal (body) and external temperature, ambient light level (time of day and geo-location) and swim or flight speed.


Archival Tags


Archival tags were first deployed in the 1990s and have developed rapidly over the past 10 years. The device is usually inserted into the abdominal cavity of a fish (mainly tuna), with the external sensor ‘stalk' emerging from the body. Data is generally collected at 2-4 minute intervals, however researchers can program the tags to maximize efficiency2. There are several computational algorithms that calculate latitude and longitude based on light levels; longitude from time of noon/midnight (or local moon) and latitude from measurements of day length. The accuracy of this tag type has been estimated to be less than 110km2.


Pop-up Tags


PAT tags are similar to Archival Tags but are attached to the outside of the host animal by a dart and wire or monofilament tether (Figure 4). The cable is designed to detach the tag from the animal either:


after a pre-determined time
when there has been no change in depth for a period of 4 days (if the animal has died) or
when the tagged animal swims to a depth that would damage the tag

It is then designed to float to the surface where it transmits its location, time of release and a summary of data to the ARGOS satellite system. PATs, like the one in figure 4, are made of a carbon fiber housing for streamlining and to protect them from the pressures of the oceans depths. The complete data set from archival or pop-up archival tags can only be retrieved if the tag is found, either retrieved by fishers or washed up on a beach near the study site.  This is why scientists put out rewards for the return of satellite tags, often between $ 200 and $ 2000!



 


 


Rewards for returning satellite tags can be found at our site or at the Tag a Giant website.


 


 


GPS tags


GPS tags have become the ‘go-to' tag for researchers with a big budget. This tag type stores its location data before transmitting it to the ARGOS satellites in near real time. They are highly precise, giving an accuracy of less than 70 metres, and transmitting almost 4 times as many reliable locations during its time on the animal. This fine-scale accuracy has allowed scientists to analyse behaviours such as daily activity, home range size, accurate daily migration speeds and the advent of the ‘Daily Diary'.


Are there any disadvantages?


The two biggest disadvantages of satellite tags are the cost and the lack of time for which tags function.  Currently oceanic tags, that relay information to satellites, last roughly for a maximum of 1 year due to failures in the battery, salt-water switch failure, antennae breakage, animal mortality and premature detachment. The key disadvantages are:


The ARGOS system is expensive, data accuracy is low and upload rates slow. Studies often discard 80 to 90% of fixes.
For GPS tags, the cost of data retrieval can be as much as a tag itself!
Tags may have an effect on animal behaviour, compromising data.
Tag loss is a major issue, mainly due to battery failure and unpredictability of the animals being tracked.
Transmitting tags must have the antennae above the water surface for successful transmission.
SPLASH and PAT tags are notoriously unpredictable in terms of recovery, with earlier studies yielding only 12% tag return.
Tags can only last to a maximum depth of 1500m.
Terrestrial satellite tags are generally too large for use on smaller animals such as birds, insects and mammals. There is currently no suitable technology for tracking the migration of the largest group of birds with importance to ornithologists, which are the medium to small song birds.
Until recently, tags broadcasting to ARGOS receivers have been a one-way system. This means that they could never be re-programmed once attached to the target species. Many transmissions are sent because the tag does not know if the signal has been recorded, thus reducing battery life. This is still the case with all cheaper models, including SPOT5 tags.

 


For a full list of references please see this blog post on our website.



Brendan is the President of the Tracking Research for Animal Conservation Society.

You can visit their website at www.tracsaustralia.com.au

Online Animation School Animation Mentor



AA: Where did your love of animation come from and how old were you when you decided you wanted to become an animator?

BB: My love for animation came from my passion for exciting special effects movies like Star Wars. When I was young my mom used to take me out of school when a cool new movie was coming out so we could be the first to see it. 3D Models That really helped create a "special magic" around movies for me from an early age.

When I decided I wanted to be an animator I was 23 years old. AA: You attended the Academy of Art College now the Academy of Art University in San Francisco, can you tell us about your experience at the Academy?

BB: I did not learn much about animation when I was there; mostly I read books on animation and tried to make sense of it all. I was only there for about a-year-and-a-half. What I did find there was some of my best friends on the planet and my number 1 best friend and partner, my wife! I've heard the program has improved since I attended back in the mid 90's.

AA: If you could do it all over again is there anything you would change about your experience in art school?

BB: As far as the friends go I'd say no. If I had to do it all over again I think I would have like to have found a mentor in the industry who could have taught me the art and craft of animation so that I would learn exactly the things I needed to become a successful animator.

AA: How important is it for aspiring animators to attend College/Art School? Do formally trained animators have an advantage over self taught animators?

BB: Absolutely not.

A recruiter at one of the large studios told me, "If someone graduates from a 4 year college something must be wrong. If they are a great animator they should be plucked out before they ever finish." I know that may not be a popular belief, but it is one that I've always believed in. This industry measures people on two things:

1. skill and…
2. personality


People are learning animation faster than ever. There are so many resources out there to look at, read from and be inspired by that it's not uncommon for students to "get it" quicker these days.

AA: How did you get your first paying job as an animator and how old were you?

BB: I was 24 when I got my first animation job. My first animation job was at a game studio in San Francisco.

I had put all my little animation tests onto a VHS tape, I guess you could call it a demo reel, but I didn't plan on sending it out. My girlfriend (now my wife) gave the tape to her friend who worked for a game studio looking for an animator.

You can imagine the shock/excitement when I got the call that they wanted to interview me. The interview went very well and I was lucky enough to get the job. I was so thrilled and gave many hugs to my sweet girl for helping me get my start in the industry. The timing was perfect and it was exactly what I needed at that time.

AA: Did art school fully prepare you for your first job as an animator or did you experience a lot of growing pains?

BB: My schooling experience did not prepare me for the industry in any way. I think most art schools do not. Usually you turn in your work, you get a grade and that is that. In the industry if the director doesn't like something they will tell you to start over, and over until you get it right, or worse, they'll take it away and give it to someone else.

I remember sitting in dailies, where your work is shown to the team in a screening room for review each morning at Tippett Studio when Phil Tippett stood up in front of the whole crew and confronted me about the shot I was working on and said, "What the F@$ k were you thinking?!" Phil had given me specific direction before I started my shot and I had "a better idea" and did my own thing. He reamed me in front of the entire team teaching me a valuable lesson the hard way: "Your director is #1 and you must always listen to them first."

In art school I did not learn that at all. The industry is both tough and fun. When you nail a shot it feels like the greatest thing, when you struggle you question your ability, always.

Also, I did not learn about getting and giving feedback. Feedback is such a critical component of this industry. You have to do away with being a perfectionist and your ego and know that your work will change many times before it is completed. Not even the best animators get it right the first time.

AA: You've worked for two of the companies that many aspiring animators consider The Holy Grail of animation studios Disney and Pixar, can you tell us how you landed a job at both Disney and Pixar?

BB: Disney happened by "accident." I was working at Tippett Studio when my girlfriend (now wife) got her first job in animation in LA. I was in the San Francisco Bay Area and she was going to Los Angeles. I was super supportive and was excited for her opportunity. We flew back and forth every-other weekend for several months. At one point I felt we were beginning to drift apart and I knew I loved this girl and wanted to be with her for the rest of my life. So, I went to work one day and told Phil Tippett that I had to leave. I was going to LA to be with my girl. Phil put his hands around my neck and pretended to strangle me. We were in between projects so the timing was perfect. He told me that when I got to LA that I would have an interview with Disney! He made some calls and made it happen for me. When I got to LA I got the job and was super happy!

The project I was on at Disney (Dinosaur) was coming to an end and so was my girlfriend's project. We decided that after we rolled off our projects that we'd move back to the Bay Area to be with our friends and my family. I put my reel together and sent it to several studios. Pixar gave me a call and I went for the interview and got the job as an animator on Toy Story 2! It was a dream come true.

AA: What do animation studios look for when hiring an animator?

BB: First and foremost they look for a solid demo reel that shows them you are capable of doing the job at hand. If you are applying to be an animator at a place like Pixar, DreamWorks, Sony, Blue Sky, etc. they care very little about your ability to model, texture, light etc.3D Models They want you to be an "expert" at making characters act convincingly. That's what you would do on the job and that's what they care about. Your reel should be full of pieces that show characters acting in situations that communicate the emotions, acting and beats clearly. If it fails to do this they will pass. If it does this to a level that "catches their eye" you've made it to the next phase.

The next phase is usually the interview. This is almost as important, if not more, than your actual demo reel. If they like you and get a good feeling for you as a person then your chances of getting hired are pretty good.

Here are some of my tips for interviews. Do not be overtly confident. This can often be perceived the wrong way. Explain how you are looking to improve yourself and your abilities. Be respectful and know the work they've done and research the company so that you know intimate details in case they ask. Also, do not be the "ultimate animator geek" who watches Disney movies all day and night.3D Models I've seen studios pass on candidates whose only thing in life wa

I am Karin khan..I live in islamabad. I am sutden for 3D Graphic 3D max . Get free download 3D Models. For more information 3D Models.Please logon http://Geo3DModel.com

Dog Park-2.jpg

A few nice photo of animals images I found:


Dog Park-2.jpg
photo of animals
Image by puck90
This is Angel



Upside Down Jelly, Spanish Harbor Key, Florida Keys
photo of animals
Image by Phil's 1stPix
An Upside Down Jelly on the flat near a stand of Mangroves. Until you look closely, it looks like a plant or clump of algae.

Nice Animal Research photos

A few nice animal research images I found:


Rufous Motmot
animal research
Image by siwild

This Rufous Motmot, Baryphthengus martii, was photographed in Peru, as part of a research project utilizing motion-activated camera-traps.

You are invited to go WILD on Smithsonian's interactive website, Smithsonian WILD, to learn more about the research and browse photos like this from around the world.

siwild.si.edu/wild.cfm?fid=5493241147

Gorilla Stuffed Animal

animal research
by SamX

If you are on the hunt for a gorilla stuffed animal, your search is over. Online stores have an exquisite 32 inch tall Silverback gorilla stuffed animal that is so lifelike, it's a little eerie. They also have an equally lovely 18 inch tall hanging plush gorilla that is able to clasp his hands together making his arms into a loop. If you or you child are partial to wildlife plush, then either of these gorilla stuffed animals is for you.

Fossil records have shown that ape descendants originated 25 million years ago in Africa and then dispersed through Europe and Asia. During what is referred to as the Miocene Era (23 million years ago), 15 types of apes that lived in such places as Italy and Greece, have been identified. A group of wild gorillas was discovered 2,500 years ago by an expedition that was travelling from the Phoenician merchant city of Carthage to the western coats of Africa. In addition, an English Sailor in the 16th century, spoke of seeing man-like apes (which would be chimps and gorillas today) that came to the campsite in West Africa where he was being held captive.

In 1902, a German officer by the name of Captain Robert von Beringe, first discovered mountain gorillas at a time when only lowland gorillas were known to exist. The subspecies name of the mountain gorilla actually comes from his last name Gorilla beringei beringei.
In 1959, the first documented research of gorillas took place by George Schaller. His book, entitled The year of the Gorilla, was one of the first to dispel the various myths that surrounded these great apes. For instance, due to their intimidating appearance, strength, and displays of chest-beating, gorillas had been given a ferocious stereotype. Movies, in particular, have continued to perpetuate this false stereotype. Gorillas, in fact, are actually gentle by nature.

In 1963, Diane Fossey began her now very famous research, study and conservation of mountain gorillas. She went on to publish a book entitled Gorillas in the Mist in 1983 which was made into a movie in 1986. Because of her book and the subsequent film, gorilla conservation was finally given the worldwide attention it deserved.

That wildlife plush collection you so greatly admire, is waiting for a a gorilla stuffed animal to make its home with all the other soft toys. And, contrary to what you might have thought previously, that gorilla stuffed animal will only fit in with animals that have amiable dispositions. With that said, try and keep your lion and tiger plush separate!


Angeline Hope is a collector of gorilla stuffed animal toys. You can view a selection of gorilla plush toys at MyBigPlush.




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Animation for Download


No we assume that you have an interest in animation and are looking to download a software application for your personal use.


The first step is to decide before download anything is at what level your understanding is as far as animation, the reason is that it is such a broad search as there are those who specialize in specific areas of animation. Only you will know at what level you are at, you may even be a professional animator searching for a more productive animation software to download, as due to competition the nature and design of these application are in constant tweaking and improvement to make animation simpler and more accessible to a wider market audience. Even if you have never even attempted an animation project it does not matter as with the right animation download you can find an application that has step by step practical, realistic guidance. Especially in animation online video training is in the hot suite as you can learn visually and apply them in practice, so don't be blinded, if you want to be an animator, you will! just remember that animation secret is software understanding, practice, dedication determination and patients! Once you develop the animating bug you will improve very quickly, its the only way it can happen!


At this stage I am sure that you have some knowledge or you would not be looking for an animation software to download. The advantage of download animation software is the fact that it is now available to anybody and the red tape has been removed only to target those professional animation studious, this option has bust open the market for a number of reasons, there is no need to invest in a specialist animation operational system like 3D Max or Maya, don't get me wrong these operational systems are excellent, the market pressure is on, good luck to you guys, but financially it is crippling, especially to those who are short of few bob.

Most of the animation software on the market can be down loaded to any operational system, and just the thought of getting your hands on the latest animation software that pixel use on your personal computer, animation has come a long way.

Animation programs today are pretty well constructed and most with clear download instructions, but be warned that when downloading the application, patience will be the key, it will take time! The reason why I mentioned this is that there are a few negative reviews about the market leaders in animation download due to the time factor. As always I did my research and discovered that what you have to download is massive and it will obviously take time to download and set up, remember the key to successful animation, patience! There are like any other software application so called free downloads, be warned there is always a catch, this could result in limited features and upgrade options requiring payment, poor guidance, training and support which is a must to understand the operation of the software. I live by this, which my father told me as a child "FREE is not FREE" somebody is paying!


The other issues with downloading free animation software is that point where you are staring at your computer not know what the hell to do and cant seem to make any sense of what it is all about, I have experienced this on many occasion. I am no fool of course I download the free stuff too, but only for research purpose, but when I am ready I pay for it as you get what you pay for. On that note if you follow this pattern ensure that you remove any animation software from your system before you make the final investment as this may clash with the paid software application of your choice. Now finding the right software is pretty easy especially if you are looking for easy 3d software, the simplicity is you!! It is your understanding of the application and program, which will be directly related to your knowledge, determination and understanding which will conclude the simplicity of the software. So when selecting a software to download ensure that there are excellent step by step training manuals, guides and video training in tact to assist you in your animation adventure, without this support you will struggle as the first step is to understand the nature of the product, how it ticks! Once you have achieved this you will be ready to take the training video lessons. I love software, I am a software junky, but to be honest there are quite a few applications that collect dust due to the complications and nature of the software application, you don't want to end up investing in a animation software, downloading it, and then, giving up! Its a waste of money. Saying that, to truly understand a software application is up to you to make the effort and invest in time to become comfortable and confident in your software selection. Find out who the market leaders are, simply investigate their website. You will get a good feel of whether it is worth downloading, but at the end of the day you could get lost in reviews and reports, animation is action! Go with your gut feeling, go for it, it is only you who can make a true review and judgment as it is you that is looking to download a software application.


Here is a tip, get a free money back trial guarantee, you will need at least two months to really get the feel of the software, and if it is not for you, ask for you money back, saying that don't abuse the good will money back return gesture, if it is productive to you, accept payment. Go through the sales page or website of the potential animation software you are considering to download, go through it with a fine comb.


Be warned you will be swarmed with sales pitches, don't become victim to this, look at the features and benefits that you will get out of it as an enthusiastic animator, watch the demos, read a few reviews, get the feel of the product before you buy it for download. Don't think about price as it is benefits you are focusing on and if you achieve this mentally the price would not play a factor, anyway, they are not expensive.


People buy benefits not products, Sure! You know that.


Here we go, a kick start! here is the link to the market leaders specializing in animation software, this would be an excellent place to start, enjoy.............Your welcome! I know it is breath taking!


I hope this information was helpful on animation for download.


For down loading animation software we select illusion mage

www.easy3dsoftware.com

we welcome you at easy 3d software enter here for 3d animation results, reviews, reports, information and tips Welcome!




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